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Shooting RAW Fujifilm

Fujifilm X-T1 - RAW (Adobe Standard) vs JPG (Velvia FSM) As a result, there is now a wide spectrum of Fujifilm users: those who shoot JPG exclusively because they are satisfied with the results produced by the camera, those who forego JPGs in favour of the more flexible RAW file, and those who shoot both as a safety net Jan 2020. Jan 27 The Best Way to Process Fuji Raw Files in 2020. Thomas Fitzgerald. Fuji X-Series. I've been covering how to process Fuji X-Trans files on this website for quite a few years now, and I still regularly get questions from people asking me what the best software for processing Fuji RAW files is Setting Our Fuji Cameras for Shooting RAW Jul 16, 2017 32 I wanted to start a thread on this because I bet there are Fuji RAW shooters out there that don't know this. This is very important for RAW shooters. This was not my discovery. It is well documented in the very good Fuji Expert Tips book by Rico Pfirstinger.. FUJIFILM X RAW STUDIO is new RAW conversion software completely different from conventional RAW conversion software. Once connecting a digital camera to a computer, FUJIFILM X RAW STUDIO allows users to: Convert RAW files in a short time just almost the same duration as a camera takes a photo

I uploaded a video this weekend that outlines my thoughts on the whole RAW vs. JPEG discussion as it pertains to us Fuji users. In it, I share why I think that more Fujifilm photographers should embrace shooting JPEG with their X Series cameras, and give some very real-world examples that I'm sure everyone can relate to I shot in RAW frequently - until I got my Fujifilm X100F camera. I quickly realized that I quite liked the look of its JPEG film simulations such as Classic Chrome and Provia. Soon, I had stopped shooting in RAW entirely on my Fujifilm, because I just liked the JPEGs better It seems raw+jpeg only works at ISOs greater than 200. At ISO 160 and 200 only a raw file is saved. Above 200 both raw and jpeg are saved. No idea why that would be but it solves the issue. Curious if anyone can suggest why that would be the case and why Fuji would set it up that way. Jim S. Quote

Should you shoot RAW or JPG with your Fujifilm camera? - 5

Note that due to a design flaw on Fuji cameras, you need to be shooting RAW + JPEG rather than just RAW if you want to magnify your photos to 100% in playback mode. Q button: Pops up a quick menu where you can change some common settings. You can adjust your personal Q menu in the Edit/Save Quick Menu setting in the X-T4's Set Up menu Which file format should you shoot? RAW? JPEG? Both? I explain some pros and cons of both as well as understanding what is a RAW file. See also: Lightroom vs.. I don't shoot RAW with my Fujifilm X100F. I rely on camera-made JPEGs. Wait! Don't click the X in the corner! Let me explain. Those who shoot JPEGs have been unfairly stigmatized. It's kind of crazy. You will find on message boards, social media posts, and in the comment section of websites this argument tha Over the years, I've adapted and changed my various Fujifilm jpeg settings and for a good period of time, I shot exclusively in jpeg. These days, because we have dual card slots, I find myself shooting both RAW + JPEG but I still rely on the in-camera jpegs to produce the images that I want This was the original black and white Fujifilm JPG film simulation on X-Series cameras until Acros came along. Many people bypass it completely, choosing to create black and white images in post. As with Acros, there are three variants for this mode; you can add a red, yellow, or green filter. Isle of Wight RAW file

The Best Way to Process Fuji Raw Files in 2020 — Thomas

You can do this on your FUJIFILM camera by following the below steps: However, this doesn't necessarily mean your cropped frame is then fixed in stone. If you're shooting RAW files, you'll see your aspect ratio in-camera when you shoot, but your images will be captured using the whole sensor Recommended Fuji X-T30 Settings. The third-generation Fuji X-T30 is a very popular camera among the X-series cameras, thanks to a good balance of features and price. It is small, lightweight and has many of the features of its bigger brother, the Fuji X-T3. Sporting a 26.1 MP APS-C X-Trans BSI CMOS sensor and a fast processor, it is capable of. They have also partnered with Fuji to include Capture One in each camera box. In addition, they took all the film simulations and made film curves of them so they can be applied to any RAW image. List of film simulations to choose from. This is just what I wanted. I could shoot straight RAWS images, and then import them into Capture One As a challenge, I decided to only shoot JPEG and rely entirely on internal camera settings to paint my pictures, for street, travel and documentary work. There was something creative and organic, to restricting myself to the constraints of what the camera produces, leaving aside worries about computer editing. Fujifilm X-T3 | Acros G

Fujifilm GFX 100S Body Medium Format Sensor Mirrorless

This, mixed with the slower burst speed, makes it less preferable for sports photographers covering major sports events. The images have to go to press as fast as possible, making it difficult to run every image through a RAW converter. Fujifilm advantages! When you are shooting Fujifilm you already know how great their film simulations are Image Quality: Fine, Fine+RAW, or RAW. If you only want to record JPEG, I recommend Fine to get the most detail possible out of it. Fine+RAW records both a JPEG and a RAW file, RAW records just the RAW file, and Fine records just the JPEG file. See this post for more on deciding between RAW and JPEG. RAW Recording: Lossless Compressed Even the Fujifilm point-and-shoot cameras like the XQ1/XF1 allow you to adjust these settings, although you have to do it in the menu as there is no Q menu on these cameras.One of the great things about shooting in B&W is that they tend to be less fussy to noise, so shooting at high ISO, 6400 (or above) on the APS-C cameras and 3200 on the.

While shooting in RAW certainly has advantages, as a busy professional assignment photographer I would never switch to shooting RAW. Here's why. Shot in JPEG with a Fujifilm X100. Exposure: ISO 1600 f/8 at 1/1000th second. The question becomes how does one get the most out of their JPEGs the camera can produce. While many of us simply turn on. Also, on a related note, if you just shoot jpeg, not raw, when you chimp on the back of your display and press to go to 100% if you are only shooting jpeg, the image will only show the small, basic one, not a full sized jpeg -- so what you thought was in focus, after peeping at it may cause some disappointment later on when you are editing> I shoot in both RAW & JPEG and uses FUJIFILM XRaw for edit. I use Capture One for cropping, and keystone corrections if necessary. Like Liked by 1 person. Reply. Ritchie Roesch · July 26 X RAW Studio is an interesting addition to this discussion because it's kind of both worlds at once

Setting Our Fuji Cameras for Shooting RAW: Fujifilm X

FUJIFILM X RAW STUDIO Software FUJIFILM Digital Camera

  1. One of the questions I regularly get asked is how to match the in-camera Fujifilm Jpeg options when shooting RAW. While most RAW converters offer film simulation modes, and these are pretty close, for some they're still not good enough. Others regularly contact me asking about how to match other options exactly, like highlight and shadow tone.
  2. 2. RAW + JPEG We all know how awesome the straight Fuji JPEGs look, that's one of the main reasons we love these cameras so much, right? Shooting JPEGs cuts down on your workflow, produces much smaller files, and makes your shooting experience much more simple. With the impressive quality of the X-Trans sensor and Fuji's image processor.
  3. I also shoot Fujifilm, but I still use only raw images. And yes, you can see the film simulation also without jpeg activated. This is with the X100t, the GFX-50s and GFX50r, the X-Pro-2 and the.
  4. By contrast, though, I always shoot RAW with Fujifilm cameras. The ability to so easily get entirely different looks from the same image is just too compelling to miss. I shoot JPEGs as well.

On my camera at any rate (Fuji X-T3), the image you see in the viewfinder is actually determined by the film simulation set for JPEG images, regardless of whether you are shooting in RAW or not. This is worth knowing, because it is one reason why the RAW file can look a bit different on your computer than when you looked at it on the camera screen I found Fujifilm before they ever found me, and I'll be shooting them long after they kick me out of the cool kids club. Shot with X100V GFX100S + GF100-200mmF/5. Raw + JPEG: If you are capturing raw + JPEG files simultaneously in your FUJIFILM camera, the film simulation is applied only to the JPEG file.The raw FUJIFILM .RAF image will remain unchanged and fully editable in post-processing. If you want to experiment with film simulations, but not commit to one, this is the best way to shoot If I shoot RAW I shoot for my own vision and not a JPG profile some guy at Fuji or Adobe make. One of the main reasons to shoot with a Fujifilm x series camera is to have access to Fujinon. But RAW Files Are Also Affected! Sort of. If you shoot in HDR mode with your camera's output setting to (Fine/Normal) + RAW, then you will get two files: 1.) an HDR-produced JPEG and 2.) a RAW file

Why I didn't go full-frame and went with Fujifilm. Around two years ago I decided that it was time for a change. I'd been shooting with various Nikon cameras (D40, D3200, D5300, D7100) over the years, alongside shooting film. I'd also had hands on with many other camera makes and different sensor sizes from micro four-thirds Panasonic. Lately though, apparently Adobe has worked directly with Fuji and the profiles currently in lightroom are practically Fuji Made. Indeed, since I got the X-Pro 2, the differences are so minor I have trouble telling which one is the RAW and which is the Jpeg (after shooting RAW+Jpeg). Example File Type: For landscape work I shoot in RAW Mode only. All files will be processed from RAW using Lightroom, ACR, or Iridient Developer, and then finished in Photoshop. RAW Recording is set to Uncompressed. For street work, or people, I will use RAW + JPEG Fine and I will employ the Fuji Film Emulations. White Balance: Auto. I hardly ever vary. Fujifilm X-E3 Body [Amazon US, Amazon UK, Adorama] Make it a better camera out of the box Image Quality to RAW. Shooting JPEG can be liberating at times, but I always value the flexibility that RAW files provide. I used to shoot tripod and potential portfolio work in RAW and everything else (snapshots) in JPEG That's why the classic Ansel Adams books are three volumes: The Camera, The Negative, The Print. With digital editing may be more important whether you are letting Fujifilm's algorithms produce pleasing jpegs in camera or if you shoot raw and edit in Lightroom. It's still editing and still a hugely important part of the photographic process

A good point-and-shoot camera should be easy to use, versatile and pocketable. The Canon PowerShot G5 X Mark II ticks all of these boxes and then some. Its 24-105mm lens gives the user a hugely generous zoom range to play with, while its 20MP 1-inch sensor produces images that look fantastic, particularly in RAW mode, which is handy because you can also burst-shoot in RAW mode at a hugely. E700, E800, E880, E900, E950, E990, E995, E2100, E2500, E3700, E4300, E4500. Some Canon PowerShot cameras with DiGiC II and certain DiGiC III image processors which are not advertised as supporting a RAW format can actually produce usable raw files with an unofficial open-source firmware add-on by some users [A Photographer's Notes] Test Shooting the FujiFilm GFX 100s in the Studio. Furthermore, although one image was properly exposed, the other was pitch black. I was shooting jpeg+raw, so I thought the camera was doing something because of that. It wasn't really affecting the shoot, though, so I just kept shooting, as I didn't want to. Many of you know that I am an avid film photographer. However, this article isn't going to be about the merits of shooting film, but the value of Fujifilm's film simulations. For those who don't shoot Fujifilm digital, I completely understand their confusion over our collective fanaticism with the film simulation profiles. Most manufacturer's JPEG profiles are average at best. The Ricoh GR-3's. Yeah, shooting RAW+JPG was a new way of working for me too. Prior to using Fujifilm X cameras, I already had a workflow using Adobe Bridge, Adobe Camera Raw and Photoshop, with a standard folder structure for every job. It turned out this matched working with Sessions in Capture One extremely well

The ACROS Film Mode in the Fujifilm X-E3

My Take on Shooting JPEG vs

FujiFilm's cameras come with a range of built-in effects to replicate the look and feels of some of those films. If you're shooting JPG, you can have these applied directly in the camera at the time you press the shutter. If you're shooting RAW, it only affects the preview image that's created in the RAW file but not the RAW image itself FUJIFILM X70 RAW Conversion Software. For the management, viewing and conversion of RAW image data on your PC, you will find the special FUJIFILM X Series version of the powerful and easy-to-use RAW viewer and conversion software powered by SILKYPIX®

First Impressions: Fujifilm X-T30 (Look What They Did toAdobe announces raw photo editing in Lightroom Mobile for iOS!

When to Shoot in RAW vs JPEG (and Why

+ Raw shooting is a bonus + 4K rather than Full HD video. Almost identical to the Fujifilm XP130 before it, Fujifilm's latest tough camera retains many of its specs: there's the same 16. When shooting RAW + jpeg in this mode the buffer will fill after 33 shots, but when shooting jpeg only it will handle 60 frames in the buffer. Without the sportscrop mode, the X-T3 will do 20fps with ES and 11fps using mechanical shutter. The buffer in these modes will hold 36 shots of RAW+jpeg and between 80 and 145 shots in jpeg only mode I usually shoot raw files and use ACR (adobe camera raw) which I believe is the same processing engine as Lr. I understand that the sensor in this camera is a Bayer not the usual Fuji X-trans. So I'm hoping to find out what the best profile to use is, so that I can make the raw adjustments that I like, but starting with a good foundation Like the X-T4, the Fujifilm X-S10 has been built as a true all-rounder that's as comfortable shooting video as it is stills. You get the tried-and-tested combination of the 26.1MP X-Trans CMOS 4. Fujifilm develops the new Pixel Shift Multi-Shot function to capture and generate the world's highest resolution of 400MP images with accurate color reproduction. Nov. 24, 2020. Fujifilm Introduces FUJIFILM GFX100 IR (Infrared) Large Format Mirrorless Digital Camera. Nov. 11, 2020

The now released RAW over HDMI recording with the Fujifilm GFX100 and Ninja V 5 HDR monitor-recorder makes it the world's first commercially available medium format RAW video shooting system available to buy. The Ninja V will record up to 4Kp30 12-bit Apple ProRes RAW video from the GFX100's state-of-the-art medium format CMOS sensor But there's a nice option for RAW shooters to use this as well. FujiFilm has created the same film emulations as post-processing camera profiles that are built in to Lightroom 5.4. So you can shoot RAW and still take advantage of this option. This isn't the same thing as a develop preset 1 point · 2 years ago · edited 2 years ago. With x100f you can always shoot in RAW and later convert to jpg using Fuji X Raw Converter. That should let you design your jpg profile the way you like, so in future you can shoot jpg only. My personal scenario: I like grainy B&W, my family likes shiny color photos Thanks to Atomos, Fujifilm becomes the fifth major company to announce support for RAW over HDMI. On top of that, the GFX100 is now the first medium format camera that shoots RAW. Read more about this major announcement for filmmakers. Fujifilm GFX100: A medium format beast Till now, the GFX100 offered solid specs for filmmakers, including 4K un-cropped video mode which utilizes entirely its.

The X-E4 will shoot up to 8fps when its mechanical shutter is used, which can be increased up to 30fps with a 1.25x crop by engaging its electronic shutter. Fujifilm claims the buffer can handle as many as 105 JPEGs or 18 uncompressed RAW files at 8fps, dropping to 29 JPEGs or 17 uncompressed Raw files at 30fps Every photo editing app can edit RAW files, but most of them apply the same controls to every image, regardless of format. RAW Power 3.3—on macOS, iOS, and iPadOS—features RAW-specific adjustments, the capability to work with proprietary RAW files that aren't supported at the system level, and more. It also enables you to edit images in the Apple ProRAW format in ways that Apple's own. Fujifilm X-E4, 27mm f/2.8 lens. 1/8s @ f16, ISO 400. In terms of burst shooting, the X-E4 isn't as powerful as the higher-end models. It can handle up to 8fps with the mechanical shutter, whereas the X-T4 maxes out at 15fps. Switching to the electronic shutter is where the X-E4 matches its siblings - offering a pretty impressive blackout free. Fujifilm's engineers spent a great deal of time tuning the X100T. It's a pretty smart camera. I think it does a great job most of the time. Image Size/Quality. I shoot RAW + JPG. Even though I.

Fujifilm jumps into the vlogger camera game with the X-S10

No jpeg file when shooting raw+fine - Fuji X-T3 / Fuji X

Photograph: Fujifilm. The X-T4 body is $1,699, which is $200 more than the original price of the X-T3. You can also get a kit with the 18-55mm F/2.8-4.0 OIS lens, which is what Fujifilm sent me. The new firmware adds tethered shooting capability, which can be used by connecting the X-S10 to a computer installed with either Capture One*1, Tether Shooting Plug-in for Adobe® Photoshop® Lightroom® or FUJIFILM X Acquire. The tethered shooting function can be used both via the USB cable connection and also wirelessly. Once a FUJIFILM GFX Series camera is connected to a computer via USB cable or Wi-Fi access-point, the Tether Shooting Plug-in PRO for GFX allows users to import captured images directly to a computer. The plug-in is featuring the Camera Mode and PC Mode to control shooting on camera or from computer By installing compatible software on your computer, it is possible to build an all-in-one workflow for things like tethered shooting - checking the image - RAW development preview - RAW development. In addition to FUJIFILM's own software, you can use software that you are already familiar with

RAW is RAW. It is the digital negative and for all intents and purposes cannot be altered. What you can do is shoot RAW then use the in camera processing to create a jpeg with the effect that you want from the file (you end up with a RAW image plus a jpeg image) or if you you have a particular jpeg look that you want shoot RAW+Jpeg and automatically create the modified jpeg file I've been shooting 100% Fujifilm cameras for work and fun since 2013, using Lightroom to edit raw files. Yes, the Fuji JPEGs are excellent, but I get better control with raw. Posted by: Ken Bennett | Monday, 13 April 2020 at 03:41 P Quick preface: This is NOT going to be a technical breakdown between Lightroom and Capture One. This post is simply going to address what I feel is an exaggerated claim that Lightroom is terrible with Fuji files. Fuji X-T3, 35mm, f/2, 1/200s, ISO 1000. It's no surprise that I'm a Fuji enthusiast. I've been shooting with Fuji since.

Fujifilm In Camera Recipes — JOE D'AGOSTINO PHOTOGRAPH

The jpeg image that is saved embedded in the RAW file on a Fuji camera is just 50% in size and that means when shooting RAW only the playback is limited to a 50% view. This isn't enough so I end up shooting large fine jpegs too just to get a decent image to review in camera. I throw the jpegs away in computer Once, the FUJIFILM X Acquire software is launched, the software starts to copy your shots down to a preset destination folder, provided you have set the camera up to tethered shooting. Once the (RAW and/or JPG) image files are saved, you can import them into your favorite post processing software like On1, Photoshop or Lightroom This can bring other advantages, too. For example, many Fuji X-series users love the in-camera film simulations that mimic the look of classic films like Velvia and Provia. With raws, these can be added after the fact. Considering the control the format offers, the decision to shoot raw is an easy one

Fuji have yet again raised the bar for cinematic color science, this time with the flawless pairing of F-Log and their latest film simulation LUT - Eterna. For years, I've been blown away by Fuji's colors. It started when I first picked up an X100, and saw first hand how brilliantly Fuji's film simulation modes actually worked At the time, these film simulations were more or less. The Fujifilm XF10 is a minimum fuss point-and-shoot camera with all the gorgeous Fujifilm film stock simulations, that slips easily into your back pocket. 9. Fujifilm GFX 50R. Most often used in fashion and advertising, medium format cameras used to be out of reach for most photographers

This is all shooting JPG images. If you shoot raw files instead of actual images, then what you get depends strongly on the software you use to create the images. I don't bother with raw. Electronic Viewfinder. Performance top. The GFX 50R has the biggest, brightest finder I've ever seen, just like the X-H1. Bravo, Fujifilm Shooting RAW can result in a better, more polished final image. But when you need the most speed, don't have time to edit, or need to maximize the available space on your memory card, JPEG will. The other options are to use Affinity Photo, Capture One Express Fujifilm, or RAW Therapee, all of which do a great job processing X-Trans files. Dynamic range is still good on the X-T3, it hasn't changed much from the X-T2, just better at ISO 160, but nothing you would notice in most situations

No manual/RAW shooting Dunk it 25m underwater, drop it on the rocks from 1.8m in the air or take in into sub-freezing temperatures; the Fujifilm FinePix XP140 can handle practically anything you care to throw at it AtomOS Firmware 10.67 brings ProRes RAW White Balance and ISO Adjustment in Final Cut Pro - Fuji Rumors. It was one of the big complaints of the DPRTV guys: when you shoot in ProRes RAW on your Fujifilm GFX100/S camera, you won't be able to adjust white balance afterwards in Final Cut Pro. This has now been solved USB RAW CONV. (requires FUJIFILM X RAW STUDIO): Use the Fujifilm X-H1's image processing engine to rapidly convert RAW files to high-quality JPEG images. BACKUP RESTORE (requires FUJIFILM X Acquire): Save and load Fujifilm X-H1 settings. Reconfigure the Fujifilm X-H1 in an instant or share settings with other Fujifilm X-H1s of the same type

Tethered USB shooting via Capture One. Fujifilm's free X RAW STUDIO USB tethering software lets the camera's dedicated superfast DSP hardware process the raw data instead of your computer, even for batch processing! Wi-Fi. Bluetooth Low Energy. Weather- and dust-resistant with 95 seals. The top LCD is always extremely legible in any light The first of which is that you can edit your RAW files in-camera and apply a range of changes before converting the image to a JPEG. Plus, when shooting JPEGs, you have access to the full range of 18 Fuji film simulations. Fujifilm has decades of knowledge, experience and success in colour reproduction, and their film simulations are very.

RAW RECORDING - fujifilm-dsc

FUJIFILM is pleased to announce the launch of two new models to the FUJINON XF Lens range bringing the total number of lenses available to five, offering much broader photographic appeal. is a pretty different animal. The in-camera JPG images are very well -- negating the need to shoot RAW in most instances. What a relief -- not having to. The Fuji X100 came out just as mirrorless cameras were finding their stride. The Fuji brand had started to fall to the wayside, as a large part of its previous market had been vacation cameras. They took a bold step in coming out with a camera that is technically a point and shoot with NO ZOOM. It looked like an old-fashioned camera Shooting Speed: 24.2MP stills at 8 FPS, 4K UHD video at 30fps Fujifilm's RAW File Converter (powered by SilkyPix) is a free download with the purchase of the camera. While it isn't a full. RAW shooting and in-camera RAW processing (SilkyPix RAW conversion software supplied in-box) Best-in-class3 1080p Full HD movie recording capabilities ; Film Simulation Modes (eight setting are available, including Velvia / PROVIA / ASTIA) Manual pop-up flash with a range of 7 meters (approximately 23 feet

How to use Fujifilm Film Simulation Modes with Raw Files

Why shoot in Black & White even when shooting RAW

Fujifilm X100F. On Amazon. Sensor: 24.3MP, APS-C Lens 35mm f2 Continuous Shooting: 8 fps Video : FHD 60p Monitor: 3-inch, 1.04M-dot EVF: 2.36M-dot Battery Life: 270 shots/60 minutes Weight: 469. RAW Shooting Capability. It's more common than it used to be, but most point-and-shoot cameras still do not have the ability to shoot in RAW format. The XF10 offers three capture options: JPEG, JPEG + RAW, and RAW. Both JPEG modes offer Normal and Fine resolutions. The XF10 captures RAW images in Fuji's native RAF format. Zone Focus Modes. Well, for those without your own files to view, Lee Zavitz of Zed Pro Media has put together a short video where he goes through a series of images with the raw file and respective JPEG side by side, and you can glean a good amount about what Fuji is doing with its JPEGs this way.. While Lee discusses some of the changes, it's worth considering if that appearance is really what you're. Fujifilm S8600 has a 16.0MP 1/2.3-inch (6.17 x 4.55 mm ) sized CCD sensor . You can shoot at maximum resolution of 4608 x 3456 pixels with aspect ratios of 1:1, 4:3, 3:2 and 16:9. S8600 has a native ISO range of 100 - 6400 but unfortunately, Fujifilm S8600 doesn't have RAW file support Shooting at anything longer than 35mm without image stabilization will show shake, even when shooting with a steady hand. If this is a concern to you, choose a lens with optical image stabilization. While shooting the FUJIFILM XF 10-24mm f/4 R OIS, we saw a great improvement with the OIS on

Should you shoot RAW or JPG, with Fujifilm cameras? - YouTub

Fujifilm X-T1 shooting modes. The Fujifilm X-T1 doesn't have an exposure mode dial. Instead, like earlier X-mount cameras, it adopts the same technique used by older film SLRs for many years. The body has a shutter speed dial and (most of) the lenses have aperture rings, and both offer an A position The X-T10 has the ability to color grade both JPEG and RAW images using the historic Fujifilm profiles, creating a unique film quality and color even though this camera shoots digitally. The results of these simulation options are phenomenal and are perfect for the enthusiast who wants to shoot akin to film without the costly consequences of. The GFX 100S is designed for RAW photography but if you do shoot JPEGs, it delivers sharp, color-accurate images. That's ideal for previews or photographers who want to use Fujifilm's popular. Atomos has announced 12-bit 4K RAW over HDMI recording with the Fujifilm GFX100 and Ninja V 5 HDR monitor-recorder. The Ninja V will record up to 4Kp30 12-bit Apple ProRes RAW video from the GFX100. This makes it the world's first commercially available medium format RAW video shooting system available to buy The normal array of Fujifilm features are included. The X-T30 supports standard Raw and JPG capture, but also includes a number of profiles for JPG shooters who want an analog look

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JPEGs captured on the X-T30 also turn out very well. And true to Fujifilm's traditions, the camera even comes with film simulations. RAW Shooting. The X-T30 is marvelous at RAW shooting, retaining much detail at solid image quality up to ISO 3200. Even with ISO 6400, you only get a little bit of grain Both the Fujifilm X-T3 and the Sony A6600 are quality cameras. The A6600 is a year newer, but the X-T3 still maintains some advantages, including a newer sensor. Shooting in RAW, both offer. If you shoot in RAW, you can import your photos into Apple's Photos app just as you would do with JPEGs. And if you shoot in both RAW and JPEG - any camera that can shoot in RAW allows you to do this - Photos detects that the two photos go together, and imports them as a pair, and displays the photos with a small icon on the top right corner of a thumbnail Buy FUJIFILM GFX 100 Medium Format Mirrorless Camera (Body Only) featuring 102MP 43.8 x 32.9mm BSI CMOS Sensor, X-Processor 4 Image Processor, Removable 5.76m-Dot OLED EVF, 3.2 2.36m-Dot Tilting Touchscreen LCD, DCI 4K30 Video; F-Log Gamma & 10-Bit Out, 5-Axis Sensor-Shift Image Stabilization, 3.76m-Point Phase-Detection Autofocus, ISO 100-12800, Up to 5 fps Shooting, 16-Bit Raw Output, Multi.